Fatal Attraction

Người đăng: vanmai yeu em on Chủ Nhật, 6 tháng 11, 2011

It's kind of a minor thing, but did you ever notice that a lot of Stan Lee's male characters tended to fall for bad women? Let's see, we can start off with Hawkeye:
He starts out wanting to be a hero, and before you know it he's betraying his country:
Foggy Nelson met an old high school crush:
But it turns out she was just playing him for a sucker:
Balder the Brave was under no delusions about Karnilla, Queen of the Norns:
And yet he still falls prey to her charms:
Jasper Sitwell was apparently fooled by Whitney Frost, secretly the head of the Maggia:
Or was he?
But when it came down to the nitty gritty:
Observations:

1. Note that it is never the leading male character who falls for the bad girl. Stan senses that this is bad characterization for his heroes, even though it never really hurt Batman in the case of Catwoman, for example.

2. It tends to be the main supporting actor. Hawkeye doesn't fit that pattern, but Foggy and Balder certainly qualify and by that point Happy Hogan had largely disappeared from Iron Man, so Jasper Sitwell was the number two.

3. Most of the evil women "reformed", although you can make an argument that some of them never really were quite as bad as they appeared. It turned out that the Black Widow's parents were being held hostage in the Soviet Union and eventually she rebelled against her communist masters and became a heroine. Debbie Harris did reform and began dating Foggy again, eventually becoming his wife. I am unsure about Karnilla; at one point she did help Asgard due to her fondness for Balder, and Balder eventually admitted his love for her. Whitney Frost's tale is more complex; in that original Iron Man saga we learned that she was genuinely conflicted in her role as the head of the Maggia, having taken it over from her father, Count Nefaria.

4. Stan used these relationships to open up new plotlines or to add new dimension to his characters. Hawkeye was allowed to become a temporary villain while leaving open the possibility that he would reform and become a hero, as in fact he did with the Avengers. Debbie was paired off with Foggy to clear the decks (twice) for Matt and Karen Page to become an item, although in neither case did it last for the latter couple. Balder and Sitwell had both been pretty much portrayed as Boy Scouts (quite literally in Jasper's case); this was a way of humanizing them.

5. Aside from Batman, I can't think of a comparable situation in the Silver Age DC, and even his relationship with Catwoman was more of a Golden Age and late Bronze Age affair.

6. Marvel only reversed the roles once; you can make an argument for Sue Storm and the Sub-Mariner setting the template for what came later. DC did have Wonder Woman and Supergirl fall for a few rats at the end of the Silver Age, although in both cases that was more due to short-term plot demands than long-term characterization.

Update: Johnny Bacardi points out that Archie Goodwin actually did the scripting for the Iron Man series by the time of the Sitwell/Frost affair.

Update II: Debbie Harris was apparently introduced during the one issue that Wally Wood scripted of Daredevil, per Fraser Sherman.
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Người đăng: vanmai yeu em



Number 1047


The Green Hornet and Jolly Roger



A couple of days ago I showed you a Lone Ranger story, so it seems appropriate to show you a Green Hornet story. They came out of the same creative studio, brought to life as radio shows by George W. Trendle and writer Fran Striker. The Lone Ranger pre-dated The Green Hornet by a couple of years, with Green Hornet going on the air in 1936.

The Green Hornet character, Britt Reid, is actually the Lone Ranger's great-nephew, being the grandson of the Lone Ranger's brother. Now that we have the genealogy down, the other particulars are that Britt Reid and his faithful servant, Kato, motor around in a technologically advanced car, the Black Beauty. They are vigilantes by night; Britt is a newspaper publisher by day.


Speaking of genealogy, the Green Hornet has a long history in comics, besides having appeared on radio, in movie serials, a television show and a Seth Rogen movie from 2010. Several companies have published comics about the character. Harvey had a successful run in the 1940s. This issue, #33, which came out in 1947, is the last of the series titled The Green Hornet. The next issue it became The Green Hornet Fights Crime (crime comics having come into their own about that time). That lasted ten issues.

Al Avison, who had worked in the Joe Simon/Jack Kirby studio, drew this story of a modern pirate. In the early 1950s he drew some great early horror comics covers, before Harvey's horror comics became so infamously horrible (horrible-good, not horrible-bad, there's a difference). Throughout the 1950s Avison was busy doing covers and spot illustrations for comics like Dick Tracy Monthly, mimicking Chester Gould, and also Ham Fisher's Joe Palooka comics, where in addition to covers Avison did features like Little Max and Humphrey.















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Never Call a Ghost

Người đăng: vanmai yeu em on Thứ Bảy, 5 tháng 11, 2011

John Forte's contribution to the May 1953 issue of Beware #15 is a goofball ghost pirate tale (did you know that ghosts can't cross a running brook?!), and in keeping with the theme of the rest of this issue, it's alot more funny than it is scary. Two more stories to go from this one, and it only gets goofier from here on in...






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Silly Panel Saturday

Người đăng: vanmai yeu em

If Perry White ever tried this stunt today, he'd be facing a sexual harassment lawsuit:
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Người đăng: vanmai yeu em on Thứ Sáu, 4 tháng 11, 2011


Number 1046


Origin of the Lone Ranger


Lone Ranger fans got their 25¢ worth from the Lone Ranger Western Treasury #1 in 1953. One hundred pages, with origin stories of the Lone Ranger, Tonto and Silver!

By 1953 the Lone Ranger had been around as a character for 20 years, created in 1933 for radio. A very popular hero, the Lone Ranger appeared in books, comic strips, comic books and a television show, even a few appearances on movie screens. The story in the Western Treasury sticks to the origin told on radio and on television, of six Texas Rangers ambushed by the Butch Cavendish gang. The Lone Ranger's origin was as well known as Superman's to the kids (like me) who followed both television shows.

The comic book Lone Ranger, drawn since Lone Ranger #38 in 1950 by Tom Gill, used Clayton Moore and his television costume as the basis for his image of the masked man. Gill had a solid cartooning style, which conveyed the feeling of the Old West.

I showed Gill's first Lone Ranger story in Pappy's #754, where you can read more about the artist.




















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