Face in the Ball / Wake Me Before I Die

Người đăng: vanmai yeu em on Thứ Tư, 3 tháng 10, 2012

The Jan. - Feb. 1975 issue of DC's The Unexpected #161 also has two creepy tales illustrated by the wildly unique Jerry Grandenetti. I love seeing how this bold stylized look of his developed during this era, coming from his grandly detailed and intricate Eisner style of the Golden Age some 20 years earlier.







Vintage Age



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Number 1238: Sea Devils sing-a-long with Circe

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I was disappointed when artist Russ Heath left Sea Devils after issue #10. He and editor/writer Robert Kanigher had created the characters for Showcase, and after a brief tryout the regular series began in 1961. Heath, one of my favorite artists of all time, was the reason I bought and read the comic book.

This story, from Sea Devils #3 (1962), is one that sticks out in my mind from my original reading. In my adolescent eyes Circe was pretty hot, Comics Code or not. Wouldn’t you love to own the original art for the splash page or cover?

Something I like about Kanigher’s comics is that girls and women figure in, not just as eye candy but significant characters. Judy is a strong and resourceful woman, and of course the jocks she swims around with don’t appreciate her enough.













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Those Pagan Kryptonians!

Người đăng: vanmai yeu em on Thứ Hai, 1 tháng 10, 2012

A rather surprising response from Weisinger, who generally portrayed Krypton as far more advanced than Earth. Of course, you can see the problem; if he responds that they had some different kind of religion (or no religion at all), he's implying that's superior. So he almost had to come up with the answer that he did.

It does raise an interesting point, though. Surely Clark was brought up in whatever religion the Kents practiced, most likely some form of Protestantism. And yet his creators and longtime editor and publisher were all Jewish (which is probably why, after the Golden Age, there were almost no stories that mentioned Christmas or any other religious holiday).
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Has Anyone Seen My Killer? / 5 Miles to Midnight

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This October we'll do something different... I thought I'd make every post this month a double feature, as well as highlight a particular artist in both stories. Sound good? Today we have two Silver Age classics from Lee Elias-- Lee needs no introduction, his brilliant cover work alone during the pre-code era of Golden Age horror comics goes unmatched. Special thanks to Britt (?) from Coliseum of Comics in Kissimmee, FL for helping me find these two issues in their massive back issue bin. "Has Anyone Seen My Killer?" from the Jan-Feb 1975 issue of The Unexpected #161, and "5 Miles to Midnight" is from the October 1975 issue of The Unexpected #169.



















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Number 1237: “. . . the one about the farmer’s daughter.”

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I like a good dirty joke as much as the next guy. But I've heard the question, “Have you heard the one about the traveling salesman and the farmer’s daughter?” many times in movies, yet have never heard anyone tell an actual traveling salesman and farmer’s daughter joke. I didn't know there really were jokes about the traveling salesman and the farmer’s daughter.

The Farmer's Daughter #1 (1954) is interesting. This story is about the traveling salesman and the farmer’s daughter! Aha. Now we're getting somewhere. It’s published by Stanhall. Its indicia lists Adolphe Barreaux (“Sally the Sleuth” and various crime comic books) as executive editor, and Hal Seeger as editor. Hal Seeger, an animator, went on in the ’60s to create Batfink. A copyright notice in The Farmer's Daughter gives him the copyright for the book.

Paul Spector, in his apparently vacated blog devoted to his father’s work, Spectorphile, credits Irv Spector with writing and art on The Farmer's Daughter. A commenter to that posting said that title character Amy appears to be drawn by Bill Williams, who also did comic books for Stanhall, and later in association with John Stanley.

The head swims. The Farmer's Daughter, despite its racy-sounding premise, Amy's busty, bare-legged and barefoot cuteness, and its cast of very funny characters, was short-lived. It lasted four issues in 1954. Seeger created a couple of other short-lived comics for Stanhall with Oh, Brother, and G.I. Jane, both with art signed by Bill Williams. The comics all ended just about the time the Comics Code was implemented. Had they submitted The Farmer's Daughter to the Code it might not have passed, based on the storyline and dialogue, and one of the best punch lines ever in a mainstream comic book.










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