Number 1260: The Human Dynamo!

Charles “Shock” Gibson was born in this story from Speed Comics #1 (1939), one of those wildly improbable origins found in superhero comic books. A splash of chemicals, a bolt of lightning, and ZAP! Charles becomes superhero Shock Gibson, the human dynamo.

Shock's colleague, Dr. Blitzer, who witnesses Shock's new abilities, tells him he has “the strength of a thousand men!” Being a clean-cut American scientist of the fair play persuasion, Shock decides to use his powers for good, instead of for bagging chicks (I made up that last part). Anyway, his first adventure, 25 pages worth, moves like the comic book's title promises. Shock chases villains who are in an airplane, bounding his way across America to the Rocky Mountains. There he encounters a mad scientist. The scientist produces some zombies, but such zombies as you and I have not before seen.

I've mentioned before how the standards for comic book artwork changed rapidly from these early days, after the field exploded in popularity in the wake of Superman's success. A few years later Shock joined the military and was fighting the Japanese, and had artwork much elevated from his origin. Tomorrow I'll show you a story where Shock has a different costume (no sharkfin helmet, but an added mask), and the advantage of art by the terrific Bob Fujitani.

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Number 1259: Kirby's commie kickass character

So many great characters came from Jack Kirby it’s hard to pick a favorite. But if I had to pick favorites, Fighting American, created by the partnership of Kirby and Joe Simon, would be right near the top. I assume that the pair were attempting to re-capture the lightning in a bottle they’d conjured up with Captain America over a decade before. It's too bad Fighting American, the comic book, didn't last longer than it did, because it had all the elements that should have made it successful: action, humor, good stories, and did I mention action? Oh yeah, Kirby's dynamic artwork, and the Fighting American bashing America's enemies!

I believe Fighting American had less of a fighting chance on the crowded comic book racks of its era, and even superheroes couldn't slug their way out of the distribution problems. Simon and Kirby's foray into publishing came to an end, and so did Fighting American. (...to be revived briefly with reprints in the sixties from Harvey Comics,  in a 1989 hardcover edition by Marvel Comics reprinting the series in its entirety, and more recently in a trade paperback from Titan Books.)

I have shown Fighting American before, last year, in Pappy's #1017.

“Assignment: Investigate the City of Ghouls” is the cover story from Fighting American #2, 1954:

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Wings of Horror

It's Bram Stoker's 165th birthday today, and around here that means it's bloodsucker time! Wings of Horror, from the October 1951 issue of Adventures into the Unknown #24, is a simply told Al Camy tale of unleashed vampirism and lurking madness, and includes a rare and very welcome, non kissy closing panel finale that also proves the usual heavy handed ACG word balloons and intrusive narrative are sometimes unnecessary.

GORGO is coming!
CLICK HERE!

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Walt Simonson's First Published Work?

From Magnus, Robot Fighter #10, May 1965, about 8 years before his first official work for DC (Weird War Tales) and about the same amount of time before his famed work on Manhunter, one of my favorite series of all time.

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Number 1258: Forbidden Worlds’ sad ending

Kenneth Landau is an artist who appeared in ACG’s pre-Code comics, and so I'm showing a story he did for that company's Out of the Night #14, from 1954. He also appeared sporadically in ACG's post-Code comic books, and I'm also showing you the story he did for the very last issue of Forbidden Worlds #145, in 1967.

Landau worked in animation as a layout artist, and if you look at his listing on IMDb.com, you’ll probably recognize most of the things he worked on.

The story from Out of the Night is typical of the type of horror comics ACG did at the time. There is a likeability to them, and the endings (as in “Out of the Screen”) are optimistic. Good triumphs over evil. Yay. (It doesn't mention that the inventor who wreaked such havoc with his 3D system will be sued after admitting he's responsible for the deadly dinosaur attack.)

But the story from the last Forbidden Worlds has a very different ending for ACG, and editor/writer Richard E. Hughes. If Hughes — who is reputed to have written all of ACG's output under pseudonyms in those years — wrote it* he sacrificed his usual optimistic ending for one of tragedy. I'll let you read it and see.

Landau was a journeyman comic book artist.** He signed his stories, but even without a signature the earlier stories are recognizable by his pen-shading.

 Kurt Schaffenberger did the cover for Forbidden Worlds under his pen-name, Lou Wahl.

*The writer's name on the splash panel is Adam Barr, not one of the pseudonyms attributed to Hughes by the Wikipedia entry on him. That doesn't mean it wasn't Hughes, though. And by the way, “Richard E. Hughes” was apparently a pseudonym for Leo Rosenbaum. Hughes/Rosenbaum died in 1974 at age 64.

**A silly rumor went around for years that Kenneth Landau was actually Martin Landau, the actor. Martin did some cartooning in his time, but he’s not Ken Landau.

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In Search of... Aliens

A reader named Darell writes:

When I was young, before I started collecting comics (I collected and traded them between 1960 and 1966) I used to read my uncle's. This would have been in the very early sixties, 1961 to 63 probably (he was about 16).

I remember him having many comics that had a serial for a few pages in the back of (main) comic book I’m not sure who the publisher was, could have been Charlton, DC, I don’t remember, although it was before Marvel and Gold Key.

In any case, in the serial I’m hoping to chase down, the main character(s) for what i can remember were in contact with another race of advanced men who had tall heads, sort of like an Egyptian pharaohs’ crown and I think their bodies were colored, like light blue or green or? I can’t remember too much. I remember these people were found behind a wall or partition, almost like another dimension and our main characters were interacting with them somehow when they came in contact with them. Sorry it’s not much, but does it ring any bells?

My uncle only had comics like war comics, Magnus Robot Fighter, DC, Charlton, was there an AC?

Comments by Pat: I suggested The Aliens from Magnus, Robot Fighter, but after reading my post on them, Darell responded that while he remembered that series, it was not the one he had in mind.  Any ideas, fellow Silver Age fans?  I don't think it could be Marvel, because it doesn't fit the serial requirement.  Despite what Darell says, I would not rule out Gold Key; they started publishing in 1962, so they would not be entirely outside of the 1961-63 timeframe he mentions.  I don't think it could be ACG; they didn't have any serials that I can remember in any of their science-fiction books.  Charlton, or Dell, maybe?

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