Number 1216: Bad blondes 2 — more blondes, more bad

Người đăng: vanmai yeu em on Chủ Nhật, 26 tháng 8, 2012

Women usually fell into one of three categories in crime comic books: victims, gun molls, or ruthless criminals. These three stories, featuring blondes, fall into the criminal category.

Kathryn Kelly, wife of George “Machine Gun” Kelly, was said to have promoted her husband’s criminal career, much like a publicist or agent. She was arrested right along with him. The story, “Machine Gun Kelly,” is from Avon's All True Detective Cases #3 (1954), reprinted from Famous Gangsters #2 (1951). Kathryn goes from blonde to redhead in this story, but that's no big thing...I've been married to a blonde, brunette and redhead, and they're all the same woman.

Betty-Jane Watson, a tigress with some sharp claws, is hot but hostile. This busty gal busts out of prison. Her tale is told in Prison Break #4 (1952), drawn by Mort Lawrence.

“Angel Face,” aka Connie Farrar, has a face that appears innocent, but she's no angel, she's a devil who murders men when it suits her purposes. She's featured in Underworld True Crime (called Underworld in the indicia) #2, 1948.

These blondes may have more fun, but the guys with them, uh-uh...no fun at all.

I showed more bad blondes in Pappy's #1114.























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The Portrait of Death

Người đăng: vanmai yeu em on Thứ Bảy, 25 tháng 8, 2012

Time for the last story from the Feb '55 issue of Amazing Ghost Stories #16, art by George Roussos, plus the remaining bonus one-pager and the 2 page text story (by request.) Check the last handful of Amazing Ghost Stories posts for the other tales in this issue.










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Number 1215: Reese's piece of the Web

Người đăng: vanmai yeu em on Thứ Sáu, 24 tháng 8, 2012

I believe these two stories were some of the first work by Ralph Reese I ever saw, when they appeared in Web of Horror in 1970. The magazine was published by Cracked “mazagine” publisher Bob Sproul.

Reese had worked with Wally Wood, and had picked up on the use of toning sheets including Grafix (formerly Craftint), a chemically treated drawing paper. The artist applied a chemical with a brush and the tones appeared. It was widely used for black line reproduction, and even some four-color work at times, but is no longer being manufactured. In the Yeti story Reese used an ink wash. Reese's use of such techniques complements his dramatic illustrations. Web of Horror featured some seasoned pros like Syd Shores and Norman Nodel, as well as a new breed of dynamic younger artists like Bernie Wrightson, Mike Kaluta and Ralph Reese. I wish it would have continued past three issues.

A few years later these stories, among others by Reese, were colored and published in a two-issue mini-series, Reese's Pieces, by Eclipse Comics.

These stories were written by longtime author and comic book scripter Otto Binder. They're from issues #2 and #3:














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When Did Superman's Heat Vision Start?

Người đăng: vanmai yeu em on Thứ Tư, 22 tháng 8, 2012

As many of you probably know, Superman's heat vision was not an early power. Both Superman and Superboy originally used "the heat" of their X-ray vision to melt things. This changed at some point fairly early in Weisinger's tenure. I am not quite sure why; was it because of the obvious problem that bullets were made of lead and thus not affected by X-rays? So I started going through the early Weisinger Action issues, looking for the changeover. What surprised me at first was how common the "heat of my X-ray vision" meme was in Superman. To give you an idea, it popped up in Action #254,, #255, #256, #258, #259, #262, #263 and #264, or in 8 of 11 issues. But after that it vanished for awhile, only appearing in Action #271. And even that appearance comes with an asterisk:
But in actuality that particular panel is being narrated by a fake Superman and Luthor henchman named Gypo. So it is far from certain that really represents a real instance of the heat of Superman's X-ray vision being used. On the other hand, it is fairly easy to pinpoint the first use of Superman's heat vision in Action; it appears in Action #275 (April 1961):
Okay, so in the second appearance of Brainiac, heat vision was established? But you know the problem; there are several other Superman mags to check, so I decided to start walking it back from April 1961, partially to see if there was an earlier appearance and partially to see if there was a more credible last mention of the "heat of my X-ray vision". There was no mention of Superman's heat from eyes power in Superman #144 (April 1961), but I did find this in Superman #143 (February 1961):
End of story, right? Not quite, however, for when I went forward to see when the first mention of Superman's "heat vision" came, I found mention of the heat of his X-ray vision in stories published after April 1961. The latest mention I can find now is from Superman #146 (July 1961):
The first mention of heat vision I can find in Superman issues comes from #148 (October 1961):
The transition from "heat of X-ray vision" to "heat vision" is pretty easy to track in Superboy. From Superboy #87 (March 1961):
While in the following issue (April 1961):
So it appears pretty obvious that the changeover came between the issues published in March 1961 and April 1961. Update: This is also one of those areas where you cannot trust the reprints. When I went to read the Superman story in Action #259, the closest issue at hand was the reprint in 80-Page Giant #1 (August 1964), where this sequence occurs:
But after noticing that there were several mentions of "heat of my X-ray vision" after this, I hunted down the original, and sure enough:
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