THOIA returns from vacation (we left the color in Orlando though) with a horrific sci-fi love story reprint as only the Oct. '53 issue of Weird Mysteries #7 could deliver-- art by Vince Fodera-- complete with questionable dialog, plus a panel that caused Wertham to get his panties in a SOTI bunch, SEE: last page, 3rd "sex and blood" panel! So fire-up your retardo-rocket and aim for the planet of wild women!
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Number 1233: Captain Marvel Jr exposes the real candidates!
Người đăng: vanmai yeu em on Thứ Hai, 24 tháng 9, 2012
This is number two of four postings this week from Fawcett Publications.
Only a few more weeks to go, fellow Americans, and the torture of a presidential election will be over for another cycle (hang in there!) Going back a few elections (think 1952), candidate Dwight D. Eisenhower was running on the Republican ticket against Democrat Adlai Stevenson. So it seemed appropriate to reference elections in comic books, but one of the few election stories I've been able to find is this Captain Marvel Jr tale.
It addresses a situation many voters face when going to the polls. Do they really know a candidate? Is he really who he is portrayed to be? In this case the candidate made it through the process to the nomination, and he's definitely not what he pretends to be.
The second story has a misleading title. “Vampira, Queen of Terror” doesn't even bite anyone. But, she’s got a gorilla, and that's enough for me.
“The Space Voters” is credited by the Grand Comics Database as being drawn by Joe Certa, and “Vampira” is drawn by Bud Thompson. Both are from Captain Marvel Jr #116 (1952).
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Only a few more weeks to go, fellow Americans, and the torture of a presidential election will be over for another cycle (hang in there!) Going back a few elections (think 1952), candidate Dwight D. Eisenhower was running on the Republican ticket against Democrat Adlai Stevenson. So it seemed appropriate to reference elections in comic books, but one of the few election stories I've been able to find is this Captain Marvel Jr tale.
It addresses a situation many voters face when going to the polls. Do they really know a candidate? Is he really who he is portrayed to be? In this case the candidate made it through the process to the nomination, and he's definitely not what he pretends to be.
The second story has a misleading title. “Vampira, Queen of Terror” doesn't even bite anyone. But, she’s got a gorilla, and that's enough for me.
“The Space Voters” is credited by the Grand Comics Database as being drawn by Joe Certa, and “Vampira” is drawn by Bud Thompson. Both are from Captain Marvel Jr #116 (1952).
Number 1232: The Marvel Family gets hissed off
Người đăng: vanmai yeu em on Chủ Nhật, 23 tháng 9, 2012
I've lined up a week of stories from Fawcett, publishers of Captain Marvel, The Marvel Family, Captain Marvel Jr, and Captain Midnight, all of which I'll be showing during my usual postings through Friday.
First up, the Marvel Family “Battles the Hissing Horror.” In this instance the “horror,” the Hissmen, look more like Albert the Alligator than evil sentient reptiles from a million years ago, but that's because despite the title, the cartoony art* dispersed any real horror. The Hissmen come bent on conquest from the dinosaur era, through a time tunnel which Billy, Freddy and Mary, and their friend Dexter, discover.
It's a very entertaining story, written by Otto Binder.
P.S. Does it look to you like Mary Marvel is taking a bloody shot to the head on the cover? No such scene appears in the comic book. In the period before Fawcett, publisher also of crime and horror comics, closed down their comic book line in 1953, horror elements were used on the covers.
From The Marvel Family #74 (1952):
*I had originally credited Kurt Schaffenberger as artist. In the comments section of this post R.A.M. '67 credits C. C. Beck, and after another look at the story I agree with him. The GCD credits Pete Costanza with a question mark.
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First up, the Marvel Family “Battles the Hissing Horror.” In this instance the “horror,” the Hissmen, look more like Albert the Alligator than evil sentient reptiles from a million years ago, but that's because despite the title, the cartoony art* dispersed any real horror. The Hissmen come bent on conquest from the dinosaur era, through a time tunnel which Billy, Freddy and Mary, and their friend Dexter, discover.
It's a very entertaining story, written by Otto Binder.
P.S. Does it look to you like Mary Marvel is taking a bloody shot to the head on the cover? No such scene appears in the comic book. In the period before Fawcett, publisher also of crime and horror comics, closed down their comic book line in 1953, horror elements were used on the covers.
From The Marvel Family #74 (1952):
*I had originally credited Kurt Schaffenberger as artist. In the comments section of this post R.A.M. '67 credits C. C. Beck, and after another look at the story I agree with him. The GCD credits Pete Costanza with a question mark.
Number 1231: Funnyman — tragic, man!
Người đăng: vanmai yeu em on Thứ Sáu, 21 tháng 9, 2012
I wrote in Pappy's #798 my opinion of why Jerry Siegel and Joe Shuster, Superman's creators, created Funnyman in the wake of being sacked by DC Comics, losing their most famous creation.
Funnyman wasn't funny — at least not as funny as the premise of the character made him out to be, a baggy-pants, old school shtick comedian with a secret identity:
Yuk, yuk.
Funnyman is an interesting failure, and also interesting as part of the still ongoing history of the world's most iconic superhero, and the tragic story of its creators.
From Funnyman #2 (1948):
Nhãn:
Funnyman,
Jerry Siegel,
Joe Shuster




















































